The Seventh Annual ChinaFest, February 9-12, 2012
All events will be free of charge, and held in our new location at the Ukrop Auditorium within The Robins School of Business at the University of Richmond,
except the Family Day which is held at VMFA. All film screenings are co-sponsored with UR International Film Series.
Festival Main Events
Thursday, February 9
Lecture: China and Emerging Corporate Social
Responsibility (CSR)
7:00-8:30 pm, Ukrop Auditorium, The Robins School of
Business,
University of Richmond ( UR).
Presented by William Valentino, a recognized expert on
sustainability, social entrepreneurship, social innovation
and CSR. His work and research centers mainly on China
and includes collaborations internationally in a wide range
of sectors at the forefront of these topics. His focus is
responsible leadership and the role of business in society.
He was Bayer's VP of CSR China and has lived in China
for 24 years working for the company. Mr. Valentino also
has established programs and gives lectures at premier
universities, such as Tsinghua University in China and
Harvard in the US.
Co-sponsored with Osher Lifelong Learning Institute at UR.
Friday, February 10
Film: Walking to School
3:00 pm, Ukrop Auditorium,The Robins School of Business, UR.
See synopsis on this page.
Film: Aftershock
7:30 pm, Ukrop Auditorium, The Robins School of Business, UR.
See synopsis on this page.
Saturday, February 11
Film: The Meaning of Tea
10:00 am, Ukrop Auditorium,The Robins School of Business, UR.
See synopsis on this page.
Film: Under the Hawthorne Tree
1:00 pm, Ukrop Auditorium,The Robins School of Business, UR.
See synopsis on this page.
ChinaFest Family Day
Saturday February 11, 1:00-4:00 pm
Come celebrate the Year of the Dragon with VMFA and
explore the richness of Chinese culture. Enjoy hunting
through VMFA galleries for Chinese Zodiac animals. Have
your face painted with your own Chinese Zodiac sign. Visit
with puppets and puppeteers from Shanghai. Make your own
dragon puppets, Chinese rattles and clay fortune cookies.
We are delighted to have two special
performances at 1:30 pm and 3:00 pm
by the acclaimed Shanghai Puppet
Theater. The six-member group will fly
directly from Shanghai for our ChinaFest.
Don't miss it.
Co-sponsored with the Virginia Museum of Fine Arts.
Sunday, February 12
Film: Aftershock
7:30 pm, Ukrop Auditorium, The Robins School of Business, UR.
See synopsis on this page.
Film Synopses
Walking to School
Directed by Peng Jiahuang and Peng Chen, 2009,
China, 87 minutes.
Wawa is a 7-year-old Lisu
child who quite envies his
elder sister who can cross
the river to go to school
while his mother insists that
he cannot. One day, unable
to resist the temptation,
Wawa secretly crosses
the river alone in order
to get a glimpse of the
school. Unexpectedly, his
secret is found by Miss Nie, and Wawa has to
promise his mother and elder sister that he will
not secretly go to Liusuo by himself anymore.
Taiwan cinematographer Li Yixu showcases
the breathtaking local landscape: the scenes
of protagonists suspended between steep
ravines, with the raging river under their feet,
are by turns hair-raising and visually stunning.
The directors also balance tension with humor
by juxtaposing Naxiang's matter-of-fact ease
with the hysterical reactions of the doctor and
new schoolteacher (Cao Xiwen) when they take
their own virgin ride. Winner of multiple awards.
Aftershock
Directed by Feng Xiaogang, 2010, China, 128 minutes.
Two natural disasters frame a
story of a mother, her children
and a painful decision that
scars them forever in this
grand-scale drama from China.
In 1976, Li Yuanni (Xu Fan) is
living in the city of Tangshan
with her two children, sevenyear-
old twins Fang Da and
Fang Deng. The family's life
is simple but full of joy until a massive earthquake
levels the city and leaves a swath of destruction
in its wake. Amidst the wreckage, Li Yuanni
discovers both Fang Da and Fang Deng are caught
under a concrete slab, and if enough is broken to
rescue one of the children, it would tip the balance
and crush the other. Li Yuanni is asked which child
should be saved, and she impulsively answers
her son Fang Da. It's not until 2008 that the story
of the mother and the daughter she lost comes
full circle in the wake of another earthquake in
Sichuan. A massive commercial success in China,
Tang Shan Da Di Zhen (aka Aftershock) made
its North American debut at the 2010 Toronto
International Film Festival.
The Meaning of Tea
Directed by Scott Hoyt, 2008, USA, 75 minutes.
The Meaning of Tea is a documentary film that explores the calm andpurposeful life of tea. This inspiredjourney celebrates the history, rituals, spirituality and simple, pure enjoymentof this revered brew through the eyesof its admirers across the globe, from India to Ireland, from Taiwan to Japan, from Tea, South Dakota, to Morocco, England and France.
Along with poignant glimpses of the deeper character of tea, the film sheds light on its many varieties, medicinal effects, and practices and traditions that are often misunderstood, neglected, and even threatened by today's marketplace. The film will be followed by a Q&A session with Scott Hoyt, filmmaker, photographer, painter, tea connoisseur and director of The Meaning of Tea.
Mr. Hoyt's longtime interest in tea evolved as he studied various alternatives to orthodox modern medicine and learned that tea, and the enjoyment of tea, is one of the cornerstones of living a balanced life. Mr. Hoyt is on the board of directors for Global Learning Across Borders and a member of the Directors Circle for the American Botanical Council. He holds a BS and an MBA from New York University.
Under the Hawthorne Tree
Directed by Zhang Yimou, 2010,
China/ Hong Kong, 114 minutes.
Zhang Yimou
continueshis
genre-hopping
career reinvention
by following up his
western remake
A Woman, a Gun
and a No odle
Shop with Under
the Hawthorn
Tree. Based on a
novel by Ai Mi, the film is a romantic
drama set dur ing the Cul tural
Revolution, focusing on the pure
love and misfortunes of a young
couple played by Shawn Dou and
the gorgeous Zhou Dongyu. The film
sees Zhang taking a simple story and
enhancing it with genuine warmth, a
keen eye for period detail and plenty
of misty eyed emotion and nostalgia.
The film was a top box office draw in
China and won many awards. |